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TRY THIS: Interp a 'Wordless Story'

Posted on August 29, 2012 by Stephanie Alderdice

 TRY THIS is part of an on-going series of ideas, suggestions, experiments, and exercises coaches and competitors can utilize to expand their skill set. 

 

Image via BrainPickings

It's hard to do oral interp if you're not using your vocal chords. There are times, however, when we take our voices for granted. We expect all the power and emotion to come from our mouths. We shout. We laugh. We cry. We forget what our faces and bodies are doing when we're 'in the moment.' Unless we video tape ourselves or have someone point it out, our physical presence may not always be what we think it is. 

Bear Despair is a charming illustrated story that follows a bear's obsessive pursuit of its stolen teddy. There's anger! Revenge! Desperation! It's an excellent opportunity to try using your face and body to tell a wordless story. If a coach or team-mate watches, have them rank the intensity of your performance. Maybe your face isn't as expressive as you think it is. Perhaps you could have more power in your physical choices. Different circuits have requirements on the amount of movement one can use in a performance, so it is also a great chance to see how much you can convey while obeying the rules.

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WATCH THIS: Henry Rollins Discusses Resentment

Posted on August 28, 2012 by Stephanie Alderdice

Be it in competition or in life, it can be easy to fall into the trap of resentment. There those who "have" and those who "have not." There are those for whom winning seems to come without effort or pain. There are those who seem to have more resources and greater assistance on their path to success. That annoying old phrase, "Life isn't fair," just continues to echo. 

On its own, one could devote an entire speech to the topic of resentment. Singer, writer, performer, advocate Henry Rollins does a beautiful job of addressing the anger and frustration that comes with inequity in his Letter to a Young American. Watch the video. Maybe it speaks to your own feelings of overcoming the odds in competition, maybe it applies to your life outside of forensics, or maybe you just want an inspirational spark for the upcoming season. Hopefully you'll find it as inspiring as we do.


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USE THIS: Shakespeare Flash Mob

Posted on August 27, 2012 by Stephanie Alderdice

 

Performances can pop up anywhere. Sure, most of ours take place in classrooms, or maybe in small theaters for showcase nights. But for folks in London this week, some iambic pentameter may sneak up in unexpected places

As part of the 2012 Festival Cultural Olympiad, running alongside the Paralympic Games, Tony Award winner Mark Rylance will be bringing "What You Will: Pop Up Shakespeare," to the streets of London. With locations being announced via Twitter, the group of 50 actors will spring up to perform selections by the bard, without costumes, sets, or props. Sound familiar? The diverse performance group includes hearing-impaired as well as physically challenged performers in celebration of the spirit of the Paralympic Games and the human condition about which Shakespeare so deftly examined.

Use this as an example of how art can (and should) happen anywhere. It's an example of how we can make something many people find boring (classical literature) something exciting and new. So if you find someone talking to a fake skull instead of a wall, or sounding more Elizabethan than extemporaneous, give them a high five for being a fellow friend of performing literature.


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WATCH THIS: Celebrity Impressionist Performance of Shakespeare's Richard III

Posted on August 22, 2012 by Stephanie Alderdice

Think you excel at vocal distinctions when performing multiple characters? Or do you get comments that your voices sound a bit 'similar'? Celebrity impressionist Jim Meskimen has built a career off of his ability to bring characters life using his voice. In this video, he performs an excerpt from Shakespeare's Richard III and switches voices every five seconds. The distinctions are subtle yet undeniably distinct. Watch it and take notes on how he not only uses accents, but makes choices in volume, fillers, pauses, speed, rate, emphasis, pitch, and tone to create believable and distinguishable character voices.



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USE THIS: Winning the Gold in Epic Literature

Posted on August 20, 2012 by Stephanie Alderdice

Sadly, the title of the post isn't some clever promotional stunt for the interp vendors in the market. Or is it? (Seriously, it isn't.) 

It's been a week since we were able to tune into competitors from around the world competing in gymnastics, track and field, underwater basket-weaving and a host of other Olympic sports. There are those who will wait patiently for the summer games to return in 2016. There are others who are more than relieved to only endure the games that often. 

If you're not a fan of the current incarnation of the sporting event, maybe you would have preferred some of the earlier events the Olympics offered, such as epic literature, chamber music, water colors, and others. While the Olympics once gave medals for arts, the practice was discontinued when it was dominated by professionals (something the organizers believed went against the goals of the games). 

Today, you may not be able to win an Olympic gold medal for Duo Blocking or Source Accuracy in Extemp. You can, however, use the Olympics as an example of how our interests evolve over time. Or maybe, we should consider bringing those events back as a way to encourage the recognition of international creativity. Either way, it's fun to picture a world in which millions of people tune in to watch final rounds of forensics being played out on an international stage. Yep, that would be golden.

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