We appreciate your interest in purchasing oral interp scripts from SpeechGeek Market! We know that state and national forensic organizations have different requirements for literature used in competition. In order to make your search for qualified scripts easier, we've compiled the following information.

VENDORS

There are four different publishers in SpeechGeek Market: SpeechGeek, Mushroom Cloud Press, Tibetan Treefrog Publishing, and the forthcoming (extra)ordinary, (un)usual series from author Pete Malicki.

ORDERING

Most scripts available in SpeechGeek Market are available in digital and print copies. The base price listed is a digital PDF copy of the script. Once you complete your online order, you will receive an e-mail confirmation from the store and a notification e-mail from FetchApp. The notification e-mail will contain a link that will take you to the page where you can download your file. The link will be active for two months or fifteen downloads, but we will be happy to reactivate your link should you need to re-download your purchase.

For a small fee, you can choose the "Digital + Print" option when ordering. Simply click the drop down menu to select this option.

Your print copy will ship within 48-72 hours of your order confirmation. At this time, there is no "Print Only" option for the scripts in our store.

DIGITAL SCRIPTS

Digital scripts from SpeechGeek and Mushroom Cloud Press are approved for competition by the National Speech and Debate Association. Your digital download will come with a username and password to access the digital copies. Please do not distribute this information to other people or programs, as it is intended for qualification verification purposes. If you should lose the information, just contact SpeechGeek Market with your order number.

DISTRIBUTION

When you purchase scripts from SpeechGeek Market, you're able to download the files to your computer and print copies as needed. Please do not post copies of the script on publicly accessible websites or servers. We have found that while some schools may have such servers available to staff and students, a quick internet search allows people free access to materials they haven't purchased. Preventing unauthorized distribution of scripts allows publishers to continue to create new content for folks to enjoy! have any questions, feel free to contact us.

ISBNs

Have no fear! The publication sold within the SpeechGeek Market contain ISBNs! Check the list below for the issue you may need.

MUSHROOM CLOUD PRESS

Clyde Hendrickson Vol. 1
ISBN 978-0-9844878-1-3

Clyde Hendrickson Vol. 2
ISBN 978-0-9844878-2-0

Drama Vol. 1
ISBN 978-0-9844878-6-8

Drama Vol. 2
ISBN 978-0-9844878-7-5

Humor Vol. 1
ISBN 978-0-9844878-3-7

Humor Vol. 2
ISBN 978-0-9844878-4-4

Humor Vol. 3
ISBN 978-0-9844878-5-1

Humor Vol. 4
ISBN 978-0-9844878-8-2

SPEECHGEEK

SpeechGeek Season One: Fall 2003

978-1-61387-000-6

SpeechGeek Season Two: Winter 2005

978-1-61387-002-0

SpeechGeek Season Three: Fall 2005

978-1-61387-004-4

SpeechGeek Season Three: Winter 2006

978-1-61387-005-1

SpeechGeek Season Three: Spring 2006

978-1-61387-006-8

SpeechGeek Season Four: Fall 2006

978-1-61387-008-2

SpeechGeek Season Four: Winter 2007

978-1-61387-009-9

SpeechGeek Season Four: Spring 2007

978-1-61387-010-5

SpeechGeek Season Four: Nationals 2007

978-1-61387-011-2

SpeechGeek Season Five: Fall 2007

978-1-61387-012-9

SpeechGeek Season Five: Winter 2008

978-1-61387-013-6

SpeechGeek Season Five: Spring 2008

978-1-61387-014-3

SpeechGeek Season Five: Nationals 2008

978-1-61387-015-0

SpeechGeek Season Five: Anniversary

978-1-61387-016-7

SpeechGeek Season Six: Fall 2008

978-1-61387-017-4

SpeechGeek Season Six: Winter 2009

978-1-61387-018-1

SpeechGeek Season Six: Spring 2009

978-1-61387-019-8

SpeechGeek Season Six: Nationals 2009

978-1-61387-020-4

SpeechGeek Season Seven: Fall 2009

978-1-61387-021-1

SpeechGeek Season Seven: Winter 2010

978-1-61387-022-8

SpeechGeek Season Seven: Spring 2010

978-1-61387-023-5

SpeechGeek Season Seven: Nationals 2010

978-1-61387-024-2

SpeechGeek Season Eight: Fall 2010

978-1-61387-025-9

SpeechGeek Season Eight: Winter 2011

978-1-61387-026-6

SpeechGeek Season Nine: Fall 2011

978-1-61387-027-3

SpeechGeek Season Nine: Winter 2012

978-1-61387-028-0

SpeechGeek Season Ten: Fall 2012

978-1-61387-038-9

SpeechGeek Season Ten: Winter 2013

978-1-61387-039-6

SpeechGeek Season Ten: Anniversary

978-1-61387-042-6

SpeechGeek Presents: Female/Female Duos, Vol. 1

978-1-61387-029-7

SpeechGeek Presents: Female/Female Duos, Vol. 2

978-1-61387-032-7

SpeechGeek Presents: Female/Female Duos, Vol. 3

978-1-61387-033-4

SpeechGeek Presents: Female/Female Duos, Vol. 4

ISBN: 978-1-61387-047-1

SpeechGeek Presents: H.I.-larious, Vol. 1

ISBN: 978-1-61387-043-3

SpeechGeek Presents: H.I.-larious, Vol. 2

ISBN: 978-1-61387-044-0

TIBETAN TREEFROG PUBLISHING

Book One
ISBN: 978-1-61387-049-5

Book Two
ISBN: 978-1-61387-050-1

Book Three
ISBN: 978-1-61387-052-5

Book Four
ISBN: 978-1-61387-051-8

Book Five
ISBN: 978-1-61387-053-2

Book Six
ISBN: 978-1-61387-054-9

Book Seven
ISBN: 978-1-61387-055-6

Book Eight
ISBN: 978-1-61387-056-3

Book Nine
ISBN: 978-1-61387-057-0

Book Ten
ISBN: 978-1-61387-058-7

Book Eleven
ISBN: 978-1-61387-059-4

Kansas City will be "a world of pure forensication" this Sunday. We'll be at the Vendor Expo selling digital and print copies of our interp scripts at a special price. We'll also be giving away tons of stuff like the cup Sir William H. Wonka is holding, vinyl stickers, and these really cool pens that double as a stylus for your touch screen devices. That's some Inspector Gadget type stuff and they're free to those who visit our booth (and ideally buy some stuff)! 

(We're also setting up a Square card reader at the expo! So if you (student, coach, or parent) are interested in purchasing interp materials but don't want to carry a lot of cash, you'll be able to swipe your card at the table and have your receipt sent via e-mail or text message. We'll collect your e-mail address and have your digital files sent before the tournament is finished. You'll be ready for the new season before this one even ends. How cool is that?)

BUT WAIT -- THERE'S MORE!

We've made ultra-rare "Speech Meme" buttons that we're only giving out to SpeechGeek fans at the NSDA Vendor Expo who join us on social media.  It's pretty easy, but you have to do a few things:

1). Find the SpeechGeek table at the Vendor Expo on Sunday.

2). Using your smart phone (or a print out, if you don't have one) show us that you follow us on Facebook, Twitter, Instagram or Tumblr.

3). Make a post containing the hashtags #SpeechGeek AND #Nats14. It won't count if you don't have both. Even something as simple as, "Excited to see #SpeechGeek here at #Nats14!" or "Going to grab some free stuff from #SpeechGeek at #Nats14," or "Yay! #SpeechGeek #Nats14" will do.

You can make your posts now through the end of the expo. One button per person. Quantities are limited. If you can't make it to the National Tournament, don't worry! There will be other chances to get the buttons in the future.

When you're preparing a humongous, totally momentous competition - there are things you like to do to get in the mood. Get all of your clothes lined up, create the perfect playlist, Facebook everyone you know who will be there, maybe...actually...uh...practice or something. Or whatever. As for me, I'm all about the movies.

Sure, some folks like the sports films. It makes sense. Competition, struggle, winning...hoo-ray...that hits the spot. Maybe you're tired of watching The Karate Kid, Rudy, Remember the Titans, Bring It On, Stomp the Yard, Happy Gilmore, or any of those other films featuring feats of athleticism. No hate...no hate...but, eh...we've been there before.

That's why I downloaded The Lego Movie as soon as it came out this week.

Now, if you're one of those "Blah blah animated movies are for little kids" folks, then you can go find another party to poop on. Plenty of people LOVED The Lego Movie. Seriously, it's worth a viewing.

If you've already seen the movie, you may be scrunching up your face like, "Whaaaat? Pffft. How is that even related to forensics?" Well unscrunch your face, cynic. I'm about to get on the S.S. Explainer and take you on a trip to This-Is-Whyville.

Emmett (voiced by the deeeelightful Chris Pratt) is an average guy who happily follows the rules and gets overlooked by those around him. When he stumbles upon the piece of resistance -- the key to thwarting the evil Lord Business (Will Ferrell) -- he is considered "The Special" master builder who will save the world. The only problem is that unlike the master builders who can assemble anything they can grab into anything they can imagine - Emmett only knows how to get things done by following for the rules. When he does have an idea, it is generally laughed at.

Those who have seen the movie know there's a 'twist,' but I'm not going to spoil that for you.

I will say that there is a lesson regarding the idea of following a formula versus embracing one's own quirky and creative ideas. In forensics, there are rules that we have to follow: time limits, literature choices, quoting sources. But then there are tons of unwritten rules that we think we have to follow. When you watch videos of previous champions and finalists, you begin to break down those performances as instructions for success. "This is what you have to do to be successful, because this is what these successful people have done." And yes, in a way, there are great lessons to be learned in the process.

But blindly following the instructions to make something "look the way everyone else thinks it should look," as the movie points out, isn't all that it is cracked up to be. Slowly but surely, you're erasing the little parts of you that don't look like everyone else. It's like making a sandwich without including a special sauce. Your ideas, your passion, your connection to your speech, you are the special sauce. Without the special sauce, there's nothing unique about your performance.

The Lego Movie is a celebration of creativity and individuality. Pragmatically, you can't just waltz into a round, do whatever you want, and expect to win. With forensics competition, you'll have to make some concessions and adjustments so audience members and judges understand what you're trying to say. But that doesn't mean you have to sacrifice the unique and creative ideas you bring to the table.

No one else thinks the way you do. No one laughs like you, or feels the exact same way as you. Ten people could do the same piece, but you can bring your own special sauce to make it your own flavor. Maybe the judge won't appreciate your flavor. So what. That's life. There will be people in your life who may not appreciate what you can do. But there will be other people who love what you do, who would stockpile crates of your special sauce.

Those people in the videos? The finalists and champions that inspire you? They got there because they brought some unique part of themselves into the round. Sometimes we get lucky and get judges and audiences that just so happen to appreciate our sauce at that moment. That's how you become legendary. That's how you become the inspiration - to hundreds of people on the final stage or dozens of people in your regular rounds. That's the whole point of this activity. To get together, share ideas, perform for each other, and genuinely celebrate how wonderful it is that we're all so weird, smart, and creative.

If you get a chance, watch The Lego Movie. Hopefully you'll be amused, if not inspired. Here's to building something amazing for the national tournament.

Nothing makes those of us at SpeechGeek geek out more than seeing former forensicators find success in the “real world.” After all, what could be more fun than pointing to a television screen, magazine page, or news site and being able to say, “I saw them at a tournament!” or “I competed with that person!” Speech is a wonderful community and it’s great to celebrate the competitors, alumni, and coaches who go on to do cool and amazing things.

That’s why we were happier than getting straight ones in finals when we learned that Dan Johnson, an H.I. finalist at the 2006 NFL National Tournament, was cast in MTV’s new scripted comedy, Underemployed. In an exclusive interview with SpeechGeek, the Chicago actor talks “Trash,” pursuing acting, and some tips for competitors who want to make performing their profession.

SPEECHGEEK: Thanks for joining us! Let’s start off with your forensics origin story. How did you get involved in speech?

DAN JOHNSON: I was introduced to speech in 8^th grade via a visit from the speech team where I would later go to high school, Harry S. Truman High School in Independence, Missouri. There was a small assembly where my two best friends and I sat in awe of all these individuals who got to perform in front of people, and be all these different characters. I was definitely drawn to the individual event side of speech. After the assembly my friends and I looked at one another and basically swore an oath to join the high school speech team.

Later on in the year there was an activity fair held at Truman High where I met the speech coach, Kimberly Lenger. I immediately fell in love with her, and what I failed to picked up on was that she was immediately over me. She told me, years later, one of the first questions she asked herself was, “Who does this obnoxious kid with the ‘fro think he is?” Luckily I used my charm to win her over in the years following.

SG: It’s good to know that first impressions aren’t always lasting ones. Once you joined the team, what events did you compete in?

DJ: While at Truman, I dabbled in Duo, Storytelling, had a mighty brief stint in D.I., but mostly lived in the land of Humorous Interp. After Lenger (the name I will never not call my high school coach) showed us a DVD of one of the final rounds of H.I., I was hooked. I made it my goal to be in the final round of H.I. at some point in my high school career. H.I. became my main squeeze. This was the event that made it less weird for me to showcase my “schizophrenic” tendencies.

Amazingly, after almost four years of honing, I made it to the final round in H.I. at the 2006 NFL tournament held in Dallas, TX. My piece was called “Trash” by and Australian man named Andy Griffiths. It was about a kid whose parents were crazy about their son, aptly named “Andy,” taking out the trash. A cute story where Andy goes on a quest after waking up late, missing the trash man, somehow winding up INSIDE the trash truck, and finally being spit out in front of his boyhood crush, “Lisa.”

SG: Ouch, poor Andy. What was it like performing in the final round of H.I. at the NFL National Tournament?

DJ: After the postings for finals came out, Lenger and I went to a Mexican fast food chain where I ate, I think, two bites of my food. I was nervous. I had gotten out of my suit to relax before I had to go to the sound check at the stage where I would be performing. I hadn’t thought to put my suit back on, mostly because there were still 3 or so painstaking hours of waiting before I would have to take the stage in the ballroom of some big hotel in downtown Dallas. So, when I showed up in my plaid shorts, white polo, and flip flops, everyone looked at me like I was DEFINITLEY in the wrong place. The man conducting the sound check session asked where the sixth competitor was, and when I raised my hand, he gave me a look as if to say, “…well, good luck, pal…”

I didn’t mind much, especially after I saw the reassuring look Lenger gave me. I don’t remember a darn thing about the round itself, aside from the moment when I turned to the side, while performing, and saw myself on the big screen that was next to the stage. It was a “WOAH” moment. I ended up getting fourth place in the round and couldn’t be happier about it.

SG: That sounded like an amazing way to end your senior year. What happened after you graduated from high school?

DJ: I went on to compete for two years at Western Kentucky University on the collegiate level. I found some of my best friends at WKU and I also learned a TON there. Not only more technique but also the intangible stuff that will stay with me for the rest of my life - the number one thing being a strong work ethic. The amount of travel and practice helped me realize that I’m working not only for myself, but also for the team, and ultimately for the sport of speech and debate as a whole. Everyone who participates in this amazing art form is keeping it alive and thriving. After my second year at WKU, I decided to transfer to The Theatre School at DePaul University. I came to the conclusion that I needed to focus more on the craft of acting for the stage and for the camera.

The work ethic that I developed while at Truman and WKU also helps me in my professional life today. Every time I get a script or a side to memorize and breakdown, all the ideas, techniques, and exercises that were instilled in me over the years goes into that work.

SG: Which brings us to today. What can you tell us about the MTV comedy Underemployed and your character on the show?

DJ: The show is written and produced by Craig Wright. It’s about five recent college graduates who are working low/no-paying jobs and maneuvering life in that circumstance. My character, “Jamel,” is a recurring character that gets involved with one of the main characters over the course of the season. “Jamel” is a drummer in a band and a computer game designer. Although the show is called a comedy, it also deals with some drama and some of it includes some adult situations like sex. But, it’s done in a tasteful way – nothing too raunchy at all! The show is 12 episodes total and airs every Tuesday at 9pm central on MTV.

SG: What tips would you give to forensicators who want to pursue a career in television, film, or theater?

DJ: Some things that forensicators who want to act should do in order to start: JUST DO IT. Research classes that seem interesting, read plays (which most of you are already doing a lot of), write, and get a group of friends together and just play. Being in the speech realm is a great place to be because you’re already surrounded by a bunch of artists. Just be brave enough to get together and do something new. The biggest revelation I came to while at The Theatre School was that good actors are fearless ones. Speech begins to breed the fearlessness through the nature of the sport: you get up in front of a room of people, by yourself, and you speak – which according to… well, the world… is the world’s most terrifying thing. And not only are you speaking, you’re speaking about things that are new, things that are controversial, but above all else – you’re speaking about things that you believe in.

SG: Finally, what is the best advice you’ve ever received that you’d like to pas along to our readers?

DJ: Greatest piece of advice anyone has ever given me EVER, whether it was before I entered a round, went into an audition, or stepped on stage was, “Have fun.” It’s simple, but it’s the best way to walk into any situation and succeed.

SG: Thank you so much for chatting with us, Dan! Best of luck!

You can catch Dan on MTV’s Underemployed airing Tuesdays at 10/9 p.m. CST. Full episodes of the show are also available online. As Dan pointed out, Underemployed tackles situations for young adults, so some language and content may not be appropriate for all viewers.

Photo by Anna Ruch Photography

After discussion and feedback during this week's 2012 NFL National Tournament in Indianapolis, the Lincoln-Douglas debate wording committee has announced the following ten potential resolutions for the 2012-13 season.  Half will be debated over the span of the next year. 

Resolved: The constitutions of democratic governments ought to include procedures for secession.

Resolved: When making admissions decisions, public colleges and universities in the United States ought to favor members of historically disadvantaged groups.

Resolved: United States Supreme Court justices should be subject to term limits.

Resolved: The United States is justified in intervening in the internal political processes of other countries to attempt to stop human rights abuses.

Resolved: In a democracy, voting ought to be compulsory.

Resolved: On balance, the privatization of civil services serves the public interest.

Resolved: On balance, labor unions in the United States are beneficial.

Resolved: The United States ought to guarantee universal health care for its citizens.

Resolved: Oppressive government is more desirable than no government.

Resolved: Rehabilitation ought to be valued above retribution in the United States criminal justice system.